“Booker Prize.” Anne Enright in Context. Eds. Kersti Tarien Powell, Mary McGlynn and Claire Bracken. Cambridge UP (anticipated publication in 2028).
Kersti Tarien Powell, Mary McGlynn, and Claire Bracken. “Introduction.” Eds: Kersti Tarien Powell, Mary McGlynn, and Claire Bracken. Approved by Cambridge University Press’ Syndics; expected publication in 2028.
“The Archive” John Banville in Context. Eds. Bryan Radley and Nick Taylor-Collins. Under contract with Cambridge University Press (forthcoming in 2027).
“The Celtic Tiger Boom in Fiction.” Companion to the Contemporary Irish Novel. Eds. Kathleen Costello-Sullivan, Derek Hand, and Neil Murphy. Syracuse University Press, 2026: 436-449.
“Things of Science: Tom Stoppard’s Galileo.” Modern Drama. Vol. 69, No.2-3 (2026):
“’Where is my Gogol?’: Milkman’s Russo-Ukrainian Contexts.” Textual Practice. (6 May 2026): 1-22. DOI: https://doi.org/10.1080/0950236X.2026.2666179
“Sally Rooney, James Joyce, and ‘Eastern’ Europe.” LIT: Literature Interpretation Theory, special issue “Irish Women’s Genre Fiction.” Eds. Christina Morin & Ellen Scheible, Vol. 36, No.4 (2025): 422-435. DOI: https://doi.org/10.1080/10436928.2025.2594376
“On the Edge of Foreign”: Race and (non-)Belonging in Contemporary Irish Crime Fiction.” Irish Studies Review, special issue “The Rise of the Phoenix: Restoration and Renaissance in Contemporary Irish Writing.” Eds. Eoghan Smith & Simon Workman, Vol.31, No.3 (2023): 405-419.
“Samuel Beckett.” Tom Stoppard in Context. Eds. David Kornhaber and James N. Loehlin. Cambridge: Cambridge University Press, 2021: 62-70.
“’Cancel, cancel, and begin again’: John Banville’s Path from ‘Einstein’ to Mefisto” ABEI: The Brazilian Journal of Irish Studies, special issue “Word upon World: Half a Century of John Banville’s Universes.” Eds. Laura Zuntini de Izarra, Nick Taylor-Collins and Hedwig Schwall, Vol.22, No.1 (2020): 135-146.
“This place… so vividly, so violently, so murderously alive”: Emigration in John Banville’s Benjamin Black Novels.” Éire–Ireland, special issue "Ireland and the Contemporary." Eds. Margaret Kelleher & Nicholas M. Wolf. Vol.52, No.1& 2 (Spring/Summer 2017): 144-168.
"A Wholly Other World of Things, Hidden": Benjamin Black's and Tana French's Criminal Worlds." Clues: A Journal of Detection. Vol.35, No.2 (Winter 2017): 40-47.
“The Answer… is Yes and No: John Banville, Henry James and The Ambassadors.” Irish University Review. Vol. 45, No.2 (November, 2015): 302-319.
“‘Dualism is the word’: Wave/Particle Functions in Banville and Stoppard.” Texas Studies in Literature and Language. Vol. 56, No. 3 (Fall 2014): 326-347.
“‘Life just is like that’: Martin McDonagh’s Estonian Enigma.” New Hibernia Review. Vol. 15, No. 1 (Spring 2011): 138-150.
“The Lighted Windows: Place in John Banville’s Fiction.” Irish University Review, “John Banville Special Issue.” Ed. Derek Hand, Vol. 36, No. 1 (Spring/Summer 2006): 39-51.
“‘Not a son but a survivor:’ Beckett… Joyce… Banville.” Yearbook of English Studies “Irish Writing since 1950.” Ed. Ronan McDonald, Vol. 35, Leeds: Manley Publishing & Modern Humanities Research Association, 2005: 199-211.
“The Nightmare of Shapelessness: The Screen Adaptation of Elizabeth Bowen.” To the Other Shore: Cross-Currents in Irish and Scottish Studies, Eds. Shane Murphy, Anne Oakman and Neal Alexander, Belfast: Belfast Studies in Language, Culture and Politics, 2004: 153-158.
“How Much Mystifying Mystery We Need: John Banville and Editorial Intervention.” New Voices in Irish Criticism, Vol. 3. Dublin: Four Courts Press, 2002: 181-187.
“Trying to Catch Long Lankin by His Arm: The Evolution of John Banville’s Long Lankin.” Irish University Review, Vol. 31, No. 2 (Autumn/Winter 2001): 386-403.